We might only be in March, but 2018 has already been busy up here in the Far North. Apart from attending a new exhibition opening in the temporary gallery at Cairns Museum, helping groups submit grant applications and planning for textile conservation workshops, here’s a quick overview of some of the FNQ MDO museum work since January:
Loudoun House Museum, Irvinebank
I visited Loudoun House Museum in Irvinebank in January and was overwhelmed by the work and changes instigated by the volunteers at the museum. They have done a fantastic job at implementing and adapting recommendations I made in an interpretation plan. The museum now has a dedicated John Moffat display in the original office and refreshed and exhibition spaces.
Plus, the group also found time to pull out some railway artefacts for the railway display in the Old Post Office Gallery in Atherton. Special mention, and farewell, to Ellen Barnes.
Railway Ready – War Ready and the Railways 1914-1918 travelling exhibition, Atherton
At the end of 2017, I started working with groups from the Atherton Tablelands to create a local component for the QM Railways 1914-1918 travelling exhibition. Apart from curating the project, I also stretched my graphic design skills to create text panels to accompany the photographs and objects.
Big thanks to Eacham Historical Society, Herberton Mining Museum, Loudoun House Museum, Mareeba Heritage Centre, Ravenshoe Visitor Information Centre and Queensland Railways for helping with image, information and objects. The exhibition opened in February and has since moved onto Douglas Shire Council offices in Mossman.
Collection gold: Croydon Miner 1887
At the end of last year, a Cairns resident requested help finding a suitable repository for an early newspaper from the goldfields which he thought might be important. After some research we discovered just how special it was – a first edition copy of the Croydon Miner 1887 printed on silk. No other institution has a copy of this newspaper, so it’s quite a treasure and its research value and historical importance is exceptional. A quick glance at the advertisements and articles reveal a window into 1880s Croydon and its goldfields during its heyday.
As the item is fragile and needs conservation, I wanted to find a place with the capacity and resources to ensure its longevity. I also needed to heed the donor’s wish that the item be kept in north Queensland, so I approached James Cook University’s Special Collection Librarian, Bronwyn McBurnie. Needless to say, Bronwyn was delighted to work with the donor and the newspaper has now been acquired into JCU’s collection. It will be preserved in memory of the donor’s late son. We hope to work with Croydon Shire Council to recreate a copy of the item that can go on display in Croydon’s heritage buildings later in the year.
75th anniversary of the Torres Strait Islander Light Infantry Battalion exhibition
Finally, I’ve just come back from Thursday Island where, with Ewen McPhee and the team at Gab Titui, we installed two exhibitions to mark the 75th anniversary of the Torres Strait Islander Light Infantry Battalion. One was a travelling photographic exhibition called Indigenous Australians at War by the Shrine of Remembrance in Victoria. It includes remarkable and candid images and stories that are an important part of our military history.
The other exhibition was curated by Gab Titui’s Exhibitions and Public Programmes Manager, Leitha Assan, with help from Vanessa Seekee OAM, curator at the Torres Strait Heritage Museum on Horn Island. Stories from the Torres Strait Light Infantry Battalion, the only Indigenous battalion in the Australian Army, remind us that at the time of their enlistment, these men did not receive equal pay, were not able to vote, nor were they recognised as Australian citizens. Despite this, 873 men enlisted – 36 were killed or died on active service.
As MDOs we have been liaising with Leitha over the last few months regarding the preparation of exhibition content and materials and then travelled up to help them install and prepare the spaces. This continues the strong link between the MDO program and Gab Titui. We were privileged to attend the opening, which featured traditional dancing – the Aeroplane Dancers and Charlie Company Sarpeye Dancers – and attend the dawn service, the anniversary march along the main street and listen to the speeches.
Apart from the disaster recovery work in Winton, the MDOs have been working on numerous other projects. One of these, “Evolution: Torres Strait Masks”, has been with staff from Gab Titui Cultural Centre on Thursday Island.
At the end of last year, Jo Wills and Ewen McPhee traveled up to Torres Strait to train and work with the staff to develop a new exhibition for their cultural maintenance gallery. The theme was chosen to recognise the cultural significance of masks in Torres Strait culture, their influence on contemporary art forms, and to revive the art form itself.
The special challenge for this project was the procurement of objects – so many of these items are held in international institutions and other Australian museums. To address this, the exhibition concept was planned around a contemporary arts component which involved commissioning local artists to create masks for the exhibition.
After undertaking applied training with the MDOs, Gab Titui staff got down to the task of researching and curating the exhibition. Working with renowned artist Alick Tipoti as co-curator, Leitha Assan and Aven Noah developed the overall look and feel for the exhibition and prepared all exhibition text and content. They identified eight different artists, based on islands where masks were traditionally made, to design masks for the exhibition: Andrew Passi, Eddie Nona, Vincent Babia, Kapua Gutchen Snr, Alick Tipoti, Torrens Gizu and Yessie Mosby.
Jo and Ewen returned to Gab Titui to help install the exhibition. Cultural protocols dictate the way masks can be handled – only men are able to touch the masks. For installation, this meant Ewen worked with Aven and Kailu to hang the masks, while Jo worked with Leitha and Elsie to hang panels, create object mounts for other items, line the cases and prepare the labels.
The end result is stunning, and a testament to their hard work. The masks are extraordinary and powerful objects in their own right, and together represent a significant body of work. The black lined cases create a sense of mystery and dark magic to echo the spirituality of the objects. The labels tell the artists stories, while the text panels provide an insight into the background of the mask in TI culture.
“Evolution” opened in conjunction with the 2015 Gab Titui Arts Awards and will be on display for a year. Jo traveled back to Thursday Island to attend the opening, see the final exhibition, and was lucky enough to see performances by the Aibai Sagulau Buai Dance Team from Badu Island.
Thank you to George Serras from the National Museum of Australia for allowing me to use some images from the opening in this post.