MDO life in FNQ has again been busy over the last three months. I’ve travelled what feels like 1000s of kilometres and been privileged to see north Queensland’s diverse landscapes and intriguing cultural history. Great, too, has been the opportunity to work closely for the first time with communities in Burketown, Babinda and Millaa Millaa, and reconnect with colleagues and friends in Cairns’ museums and Torres Strait. Here are just a few details of projects I have been lucky enough to work on recently:
The Wild Irish Girl Display, Cooktown History Centre
I’ve always been impressed at the self sufficiency of the volunteers at the Cooktown History Centre. So when they asked me to help out with cataloguing training for the John Hay/Sam Elliot collection, which was donated to them just before John died, I was only too pleased to assist. As we worked our way through we discovered a fabulous collection of material from the Palmer River Goldfields. Handmade tools, Chinese pots, gold scales and opium pipes… these are just a few of the items that tell the story of the Wild Irish Girl Mine, a unique place in FNQ’s mining and social history. Follow this Wild Irish Girl Mine link for more information.
We also discussed displaying the material in the available space and how the group might set up the new area. Six months later, I received pictures of the new display. After purchasing some new cases and developing panels using their in-house style, the group have produced a fabulous display that mirrors and succeeds their intentions. Congratulations to a very dedicated group of people.
Burketown Visitor Centre CHG project
At the end of May, Ewen McPhee and I drove out to Burketown on the Albert River in far northwest Queensland to help out the local Shire Council and the Carpentaria Land Council with their collection as part of a CHG grant. Designed to help understand the collection and make it more accessible, the grant enabled us to spend a week with the group and help redevelop their displays and get them ready for opening. Along the way we got to spend time getting to know the community in more depth, learn about the Aboriginal and settler history, and become acquainted with the cultural artefacts and paintings that make up their collection. We made sure to enjoy the surrounding landscape and evening skies as well.
Cairns’ Museums Textile Training with Dr Michael Marendy
Museum volunteers in Cairns attended a week long textile preservation workshop in June, thanks to funding from Cairns Regional Council. Run with great care and passion by Dr Michael Marendy, participants were treated to his wealth of knowledge, attention to detail and ready humour as he ran applied training sessions. I was amazed at the sewing skills out there among the community, and painfully aware of my own needlework limitations! But Michael’s enthusiasm is infectious and, by the end of the week, I could see how beneficial site visits Mulgrave Settler Museum and CADCAI had been, and how inspiring it is to have access to a material specialist. Michael also delivered a delightful public lecture, leaving guests crying out for more stories from his experiences with textile treasures. The groups in Cairns are now working towards developing a small textile exhibition in Cairns Museum’s temporary gallery.
Gab Titui Cultural Centre: Butal Inu Ngapa Boey and the 2018 Art Awards
Ewen and I travelled up to Thursday Island in July to help the team at Gab Titui install two new exhibitions. The 2018 art awards were opened on Thursday 26 of July and we were honoured to work with a vast array of wonderful pieces. The new cultural exhibition, Butal Inu Ngapa Boey translates as ‘our luggers’ and examines the familial connections to the Torres Strait’s pearling history. Ewen has been advising on this project for the past year. Important to this project was the video recordings with different island representatives. The display also included commissioned artworks that celebrated the region’s pearling traditions and history. As usual, an exhibition opening at Gab Titui is accompanied by extraordinary dancing, this time from the Badu Island Dancers who performed lugger dances.
The Kjellberg Story: Millaa Millaa Museum’s first temporary exhibition
Last, but by no means least, Eacham Historical Society’s Millaa Millaa Museum developed and opened a new temporary exhibition to commemorate 100 years of noted Swedish migrant Ernst Kjellberg’s arrival in the district. Initially, Kjellberg worked closely with Mamu men to clear their land, and run a dairy farm. Then, between 1930 and the 1945 he and his family ran a health clinic on their property Beachview on the outskirts of Millaa Millaa. As knowledge of his abilities grew, people flocked to his clinic and lived in tents while they received holistic and manipulative therapy.
The production of this exhibition was no mean feat for this group of volunteers who live in this small town on the Atherton Tablelands. At least two of them are over 90 and many have been experiencing health complications. Nonetheless they were keen to participate and were gently guided by new volunteer curator, Stacee Hillyard who did a fantastic job. I was very fortunate to be able to enjoy their support and goodwill as I came in and made changes, and believe the process was as important as the outcome. Community enthusiasm for this story was strong, and became increasingly evident as we worked toward the opening. We had people offering to lend small collections of material. Volunteers partially reassembled the electric light bath for the display – perhaps one of the most unusual items I’ve come across for a while.
The exhibition was officially opened on July 28th by Councillor Anthony Ball. For a small town, it was a big event. Am amazing morning tea was provided by the CWA, and more than 50 people took part in what was the museums first temporary exhibition. Among the guests I even happened to meet a man who had worked with the light bath we had on display! Congratulations to the Millaa Millaa Museum group for their hard work and enthusiasm.
We might only be in March, but 2018 has already been busy up here in the Far North. Apart from attending a new exhibition opening in the temporary gallery at Cairns Museum, helping groups submit grant applications and planning for textile conservation workshops, here’s a quick overview of some of the FNQ MDO museum work since January:
Loudoun House Museum, Irvinebank
I visited Loudoun House Museum in Irvinebank in January and was overwhelmed by the work and changes instigated by the volunteers at the museum. They have done a fantastic job at implementing and adapting recommendations I made in an interpretation plan. The museum now has a dedicated John Moffat display in the original office and refreshed and exhibition spaces.
Plus, the group also found time to pull out some railway artefacts for the railway display in the Old Post Office Gallery in Atherton. Special mention, and farewell, to Ellen Barnes.
Railway Ready – War Ready and the Railways 1914-1918 travelling exhibition, Atherton
At the end of 2017, I started working with groups from the Atherton Tablelands to create a local component for the QM Railways 1914-1918 travelling exhibition. Apart from curating the project, I also stretched my graphic design skills to create text panels to accompany the photographs and objects.
Big thanks to Eacham Historical Society, Herberton Mining Museum, Loudoun House Museum, Mareeba Heritage Centre, Ravenshoe Visitor Information Centre and Queensland Railways for helping with image, information and objects. The exhibition opened in February and has since moved onto Douglas Shire Council offices in Mossman.
Collection gold: Croydon Miner 1887
At the end of last year, a Cairns resident requested help finding a suitable repository for an early newspaper from the goldfields which he thought might be important. After some research we discovered just how special it was – a first edition copy of the Croydon Miner 1887 printed on silk. No other institution has a copy of this newspaper, so it’s quite a treasure and its research value and historical importance is exceptional. A quick glance at the advertisements and articles reveal a window into 1880s Croydon and its goldfields during its heyday.
As the item is fragile and needs conservation, I wanted to find a place with the capacity and resources to ensure its longevity. I also needed to heed the donor’s wish that the item be kept in north Queensland, so I approached James Cook University’s Special Collection Librarian, Bronwyn McBurnie. Needless to say, Bronwyn was delighted to work with the donor and the newspaper has now been acquired into JCU’s collection. It will be preserved in memory of the donor’s late son. We hope to work with Croydon Shire Council to recreate a copy of the item that can go on display in Croydon’s heritage buildings later in the year.
75th anniversary of the Torres Strait Islander Light Infantry Battalion exhibition
Finally, I’ve just come back from Thursday Island where, with Ewen McPhee and the team at Gab Titui, we installed two exhibitions to mark the 75th anniversary of the Torres Strait Islander Light Infantry Battalion. One was a travelling photographic exhibition called Indigenous Australians at War by the Shrine of Remembrance in Victoria. It includes remarkable and candid images and stories that are an important part of our military history.
The other exhibition was curated by Gab Titui’s Exhibitions and Public Programmes Manager, Leitha Assan, with help from Vanessa Seekee OAM, curator at the Torres Strait Heritage Museum on Horn Island. Stories from the Torres Strait Light Infantry Battalion, the only Indigenous battalion in the Australian Army, remind us that at the time of their enlistment, these men did not receive equal pay, were not able to vote, nor were they recognised as Australian citizens. Despite this, 873 men enlisted – 36 were killed or died on active service.
As MDOs we have been liaising with Leitha over the last few months regarding the preparation of exhibition content and materials and then travelled up to help them install and prepare the spaces. This continues the strong link between the MDO program and Gab Titui. We were privileged to attend the opening, which featured traditional dancing – the Aeroplane Dancers and Charlie Company Sarpeye Dancers – and attend the dawn service, the anniversary march along the main street and listen to the speeches.
Are you Anzac-ready? Or busy working on an Anzac-related project? As museums and historical societies across the state continue preparations for a suite of Anzac projects for the 100th anniversary of the landing at Gallipoli, let’s take a sneak preview of a project underway in far north Queensland.
Anzac Treasures from the Tablelands is collaborative exhibition between museums, historical societies, libraries and visitor information centres from the Tablelands Heritage Network. They are working with the FNQ MDO to pull together and curate the exhibition. It is funded through the Federal Government’s Anzac Centenary Local Grants Program in the Kennedy electorate, via the Friends of the Atherton Chinese Temple, and with the support of Tablelands Regional Council.
The exhibition aims to highlight the work volunteers do to protect the districts heritage, as well as commemorate the First World War and its impact in the region. Part of the project has involved the volunteers participating in a series of exhibition workshops which explore the process of putting an exhibition together – from developing a concept and identifying objects to organising space and writing labels. Over the next few weeks, groups will be busy framing images, finalising labels and preparing their contributions prior to installation and the exhibition opening.
This is the first collaborative exhibition the Tablelands Heritage Network have worked on together. It has been a lot of fun, as well as an informative and engaging process. Participants have been sharing resources and ideas, and comparing their own local knowledge of this topic and the region during the war period. At a recent workshop, volunteers presented a range of objects for inclusion in the exhibition, some previews of which are included in this article published in a recent edition of the Tablelander newspaper. Click on the newspaper to read.
Anzac Treasures from the Tablelands opens on 2 April 2015 at the Post Office Gallery at Atherton Chinatown, 86 Herberton Road. It run will run for two months. Inquiries to Atherton Chinatown: 07 4091 6945 or email@example.com