Earlier this month I was lucky enough to travel to Muttaburra to deliver some workshops. Although a (very) small town, Muttaburra boasts two museums – the Dr Arratta Memorial Museum and Cassimatis Store and Cottage – which are managed by a small but dedicated team of volunteers. Keen to learn about how best to care for and interpret their collections, we devised a series of four workshops covering collection policies, interpretation panels, cataloguing, and object labelling.
While we all may know what is exciting and unusual about our own collections, it is worth giving some thought to how we share this with our visitors to make sure we’re providing the best possible experience of what our collections have to offer. During our workshop on interpretation panels, the Muttaburra volunteers thought and talked about how to plan exhibitions and displays (and what’s the difference between the two!), how best to interpret objects to make them accessible and interesting for visitors, and the nuts and bolts of what makes good interpretation panels. Thinking and talking is good, but doing is even better, so the volunteers soon got stuck into making their own interpretation panels. Now armed with the tools of the trade, I’m looking forward to seeing what they do with their new skills!
Writing a Collection Policy may not sound like the most exciting aspect of museum life, but it is really the most important document in helping you manage your collection well. It helps you clearly define all the main aspects of managing your collection, including how you will collect objects, how you will document them, how you will care for them, as well as tackling some of the more tricky issues of deaccessioning and ethical considerations. With two very different collections to manage, some thought had to be given to how to structure the collection policy to best suit their situation, but very quickly the volunteers worked together to painlessly produce a document which will be their first port of call in all important decision making processes.
Another hallmark of a well managed collection is good documentation, but with backlogs common to all museums, it often gets put in the too hard basket. We spent some time in Muttaburra looking at the processes for accessioning items into the collection, followed by the more detailed work of cataloguing. While some useful work has been done in the past at the Hospital Museum, we had to spend some time trying to establish if previous location systems were still practical, and devising new ones for the Cassimatis Store and Cottage. As always, practice makes perfect so getting their own electronic catalogue started was an important component to the workshop.
A good catalogue is of little use if you can’t identify your objects, so applying accession labels to objects was our last topic. Good object labelling, combined with good documentation, is also another weapon in the museum arsenal when confronted with a disaster. There are several options for doing this safely and unobtrusively dependent on the materials of each object, so the volunteers were introduced to a range of techniques. I expect that soon everything that isn’t nailed down will have a number attached to it!
The workshops were funded by the Regional Arts Development Fund through Barcaldine Regional Council. Thanks to the volunteers for being such wonderful hosts and willing students, and also to the volunteers from the Aramac Tramway Museum who made the trip to Muttaburra to take part. It’s great to see small museums and communities working together. I’m looking forward to seeing more of your new skills in action.
Do you have a question about clothing and costumes in your collection? Should they be hung, rolled or laid flat? How should they be displayed in exhibitions? And how can we best use them to tell stories and explore the myriad of different cultural and social expressions that they represent? If you’ve ever asked any of these questions about clothing and costumes, then the new “Clothes Tell Stories Online Costume Workbook” is a perfect resource for you and your collection.
The workbook was launched recently at the International Council of Museum’s Triennial General Conference in Rio de Janeiro, August 11-18 by the ICOM Costume Committee (which operates a separate web page with useful resources). By celebrating the genre of clothing and costume within the museum sector, the workbook has made information about costume and clothing care, display and interpretation more accessible. In it you will find advice from international organisations and specialists about storage and conservation, collection policies and procedures, mannequins and reconstructions, and interpretative techniques.
What goes around comes around, as they say… And Cairns Museum has been delighted by the recent request to loan its collection of hats made by the Cairns Country Women’s Association for use in a RetroVintage Fashion show at Merrylands Hall in Atherton on August 19th. Cairns Museum Manager, Suzanne Gibson, has noticed a growing interest in retro fashion and feels museums with fashion collections are well placed to appeal to younger audiences interested in fashion. Local resident, Di Singh, who is helping the CWA in Atherton put together the show, agrees and has noticed an increased interest in millinery as well. Whilst visiting the museum to view the collection, Di shared her memories of how the hats were created during the 1980s. Her stories have greatly enhanced the museums understanding of the hats’ provenance and significance, and breathed new life into their potential for display and interpretation.