Category Archives: Jo’s Diary
“Rarely if ever before has so deep and so general a gloom been cast over the community of this colony as that which has been occasioned by the sad catastrophe which occurred in Torres Straits on the night of the 24th February. The wreck of the R.M.S. Quetta in the vicinity of Adolphus Island with a loss of 173 lives is one of those shocking disasters of the sea which strike nations with sorrow and distress, and leave their painful mark upon the annals of the world’s shipping.”
I first saw the R.M.S. Quetta tea towel while I was visiting Andy and Joan Csorba, owners of a former Cairns souvenir company in Cairns during the 1980s-1990s called Reef Productions. It was in among a host of other tea towels, napery and linen that I have been assessing for Cairns Museum. Having visited the Quetta Memorial Church on Thursday Island numerous times during my MDO travels, I am familiar with its story and was intrigued by the teatowel and the design.
Initially, I thought my ‘who drew it’ query would be easy to solve. Made from Polish linen, the object has ‘Handprinted by Reef Productions’ printed underneath the image. All I had to do, I reasoned, was ask Andy and Joan. But having had so many designs produced they couldn’t recall who had created the original drawing.
Reef Productions was a souvenir company which started in Cairns in 1970s and ran, under multiple owners, until the late 1990s. Initially, the company produced drawings of local industries, heritage buildings and tourism spots. But when Andy and Joan took over, they diversified and started to work with Indigenous artists and produced cultural designs for screen printing by artists like Thancoupie, Jenuarrie, Heather Walker, Roslyn Kemp and Enoch Tramby.
Given the subject of the tea towel, I wondered whether or not one of these artists had created the piece, or perhaps a Torres Strait Islander living in Cairns. Wrong on all counts. So I continued to research the history of the company, and liaise with other former owners and artists who produced artwork for the prints. Another artist, Jim Arena, shared pictures of all his designs with me so I have a catalogue of his creations. But there was no Quetta on his list.
Discussions with previous owners uncovered the stories behind some of the different commissions that Reef Productions asked the artists to produce. One of these was a line drawing of the new parliament house in Canberra by Dutch-born Ludij Peden. I was thrilled when I found her website and a small video which featured a photo of Ludij with Jenuarrie, Thancoupie, Roslyn and Joan Bouissevain (all of who created work with the Csorbas). It’s the only photograph I’ve ever seen of artists from Reef Productions together. There was also one of Ludij and Andy with the parliament tea towel. Naturally, I made contact. Like Jim, Ludij generously gave me a list of all of her work for Reef Productions. Bingo!
In a follow up email she wrote:
I was commissioned, via Andy, to do the tea towel design of the Quetta sinking for the ladies’ guild of the Anglican Church – for a fundraiser … They wanted the tea towel to look like the stained glass window in the church – depicting the ship sinking in the storm.
With this mystery solved, I’m now working with staff at Cairns Museum to develop an exhibition of Reef Productions objects and about the people who were involved. Stay tuned for more information. There are examples of Reef Productions items held in both Queensland Museum and the State Library of Queensland. No doubt the information uncovered in this project will contribute additional knowledge to these collections into the future.
Community collaboration has always been central to my work as a MDO. And, in our current climate, with the restrictions that COVID-19 is placing upon travel and gatherings, I thought I’d tell you about a recent training series I ran at Herberton Mining Museum,
Creating workshops for collection policies and collection management procedures aren’t the easiest topics to be creative with. Just how much fun can you have with a Deed of Gift or a Loans form? And how do you convince volunteers wary of change that a bit more paperwork and process is a good thing? My challenge was to develop comprehensive AND accessible workshops that made sense to the participants.
Funded through a Community Heritage Grant from the National Library of Australia, the workshops bought together a total of 12 people from six different museum groups: Herberton Mining Museum, Loudoun House Museum, Tolga Museum, Millaa Millaa Museum, Malanda Dairy Centre and Ravenshoe Visitor Information Centre.
Participants congregated (yes, face to face) at Herberton Mining Museum for three weeks of two day training sessions. The first day of each week involved an overview of the principles and examples from the industry. The second day was dedicated to practical reinforcement, and the challenge of adapting perfect museology principles into day to day reality.
The value of people being able to articulate their experience of managing the museum, and outline their successes and frustrations regarding donations, acquisitions and procedures in a collaborative environment is immeasurable. We heard stories about wayward items appearing on museum doorsteps, anonymous donations, lost databases, misplaced loans and cataloguing triumphs. These helped create a sense of inclusion and camaraderie, and injected a bit of humour into the discussion. Some of the comments on the workshop evaluation forms highlighted the ‘priceless’ nature of shared learning experiences, and the opportunity of hearing from groups struggling with similar issues.
Some said the chance to come together helped them ‘regain their mojo’ as they felt cataloguing and some of the processes had been overwhelming them until they heard from others. Benefits were also gleaned from spending time with people they don’t normally work with.
One of the most salient lessons from the training was the need for organisations to have clear volunteer induction procedures. It is reasonable, we decided as a group, that new volunteers understand that volunteering in a museum means you engage with objects and that this has certain responsibilities and requirements.
Groups are now working on developing up policies and procedures, adapting some of the templates I provided as part of the workshops, and reflecting on their induction processes. They are also enjoying the archival and collection management materials that were made possible as part of the grant.
Thanks to Herberton Mining Museum for hosting the training and making everyone feel welcome.
To be honest I thought I was ‘done’ with First World War projects. But when I was asked to speak about the Anzac Treasures Program at the Heritage Leaders Workshop at State Library Queensland I felt it was recognition for the communities involved and the variety of other projects that happened along the way.
With only ten minutes to talk, there was no time to be expansive. So I chose to focus on the benefits of collaboration and the types of outcomes that emerged or which were connected to the project in some way:
- collection items that were uncovered or discovered
- projects that groups undertook either simultaneously or afterwards
- follow up Anzac Trails projects by Cairns, Tablelands and Mareeba Shire Councils that utilised the graphic identity we created for the exhibition
- the delivery of the Railways 1914-1918 temporary travelling and production of the Railway Ready: War Ready exhibition that went on display in the Atherton Post Office Gallery a few years later.
It is always good to speak, but sometimes it is even better to listen. And in doing so, I found that I wasn’t quite ‘done’ with the topic after all. I heard representatives from Cherbourg discuss their app and how students are using it, the story of researching nurses in Central Queensland and the importance of remembering and honoring Indigenous soldiers who fought in the war.
I was fascinated, too, to hear about some of the work undertaken internationally. The key note presentation by Jennifer Waldman, Director at the 14-18 Now program in the UK, highlighted innovation, creativity and participation. This program was driven by artist interpretation, clever marketing and, most critically, a very strong sense of identity and audience definition. While the scale of this sort of project is much bigger than some of the things we do in FNQ, there are still some critical take home messages. Planning for, understanding and identifying audiences is such an important part of what we do when we create programs. A great refresher for us all, I think, as we go about our work in the industry after this commemorative odyssey.
Below are some links to a couple of the 14-18 Now projects – I recommend you have a quick look as they were thought provoking and bold. Behind the works there is of course was a plethora of research and details that come from organisations like many of our museums and collecting groups who continue to preserve these stories:
Earlier this week, I was contacted by Don Lawie, one of the volunteers at Gordonvale’s Mulgrave Settlers Museum. His email contained a link to a newsletter he had recently prepared for the Society for Growing Australian Plants. Don drew my attention to the piece called “Beautiful Plants of the Tropics”, one that he had written following his visit to Cairns Museum for the opening of the latest temporary exhibition.
I first met Don in my capacity as MDO for FNQ and have always been aware of his knowledge and love of local history and the region, despite his struggles with Parkinson’s Disease. But I didn’t know about Don’s interest in Australian plants, and his article’s closing sentence stopped me in my tracks:
“I will never see D. fleckeri alive, but thanks to Cairns Museum I have seen a lasting specimen collected and mounted by one of my heroes.”Don Lawie, 2019
Here in a single sentence, Don captures the value of museums: the joy that a single artefact can bring to a visitor, the wonder of ‘the real thing’, the importance of preserving collections, the significance of local collections and the value of sharing knowledge across the community. As a museum worker, this shows me the different ways people access and read the items on display, and it validates my interest in interpreting our environment as part of a region’s social history, and the importance of national history collections and herbariums.
Don’s email inspired me to go back into the museum and seek out the display, and to see what it is that captured his imagination. I also got online to find out more about the specimen, dendrobium fleckeri and found that its common name is the apricot cane orchid. I hope to work with Don and use his memories of Babinda’s orchidologist, and former Babinda Mill worker, Jack Wilkie as part of a larger story as we develop Babinda’s new museum. For now, however, I’m just going to share Don’s article (with permission), and the delight of his discovery.
Beautiful plants of the tropics: Dendrobium fleckeri
Don Lawie, 2019
The refurbished Cairns Museum is filled with treasures that recall the past of our part of the world. On a recent visit I was excited to find a treasure that made my heart beat faster and my tremors go into overdrive. There, on the first floor, in an unremarkable corner, was a dried and mounted specimen of a Dendrobium orchid. I found this fascinating since the expertly mounted specimen comprised the entire plant – leaves, rooted stem and inflorescences. I have long understood that such a mounted specimen is impractical due to the general features of a Dendrobium orchid. This specimen was collected on Mount Bartle Frere in 1947 and is still in good condition – good enough for an I.D.
Why does this specimen excite me? The collector was Babinda’s Jack Wilkie. Jack was an indefatigable explorer of the mountains and rivers in the vicinity of Babinda; he found and named a number of orchid species previously unknown to Australia , and several were named in his honour (unfortunately, they had been previously described overseas and so the original name had to supercede the wilkiei name).
I knew Mr Wilkie when I was a boy and he was a loco driver for Babinda Mill. He used to give my brother and me a ride in the steam loco cab when he went down the spur line to our farm at Fig Tree Creek, letting us toss coal into the roaring maw of the fire box. Many years later Pauline and I had the honour of being present when Orchidologist Bill Lavarack presented the Australian Orchid Foundation’s Award of Honour to Jack Wilkie in acknowledgement of his immense contribution to the orchid world. And not many years later I was proud to be able to scatter some home-grown orchid flowers on his grave.
Dendrobium fleckeri occurs mostly on the higher mountains such as Bartle Frere, Bellenden Ker and Mount Lewis at altitudes above 900 metres. It prefers to grow on exposed rocks and can flower at any time of the year. The plant is small – the stems about 30 centimetres long – and the flowers are also small. Common name is Apricot Orchid and it is not found in cultivation since it will only grow in the weather conditions of our highest mountains. So, I will never see D. fleckeri alive, but thanks to Cairns Museum I have seen a lasting specimen collected and mounted by one of my heroes.
What do you get when you bring together a wedding gown, a ‘fashions on the field’ racing dress, a kaftan, a Chinese silk skirt panel, a debutante gown and a fancy dress costume on International Women’s Day? A window into the lives and creativity of local women from the far north, and a chance to explore their stories!
Following on from the textile training run by Dr Michael Marendy in Cairns last year, museums in the Cairns region have recently celebrated the opening of ‘Dressed to Impress’ at Cairns Museum, a collaborative exhibition that explored the wearers and makers of some of the region’s textile treasures. This is the first time the groups have worked in this way and, if the level of participation and the attendance at the opening are anything to go by, it won’t be the last!
Each organisation was asked to choose one garment for inclusion in the show, to undertake research into the history and provenance, and to consider how they want it to be displayed. Volunteers have contributed considerable time and work to prepare the displays. By combining their own sewing skills with the training from the workshops, they have adapted petticoats to fit the fuller dresses, made textile mounts, designed a full length slip to go under the wedding dress, padded mannequins and created supports for hats.
Mulgrave Settler’s Museum shortlisted two pieces – and each was so strong we ended up including both. Volunteers contacted both dress donors and arranged for me to meet with them in Gordonvale so that we could find out more. Owner of the wedding dress, Marlene Moss reminisced about her mother-in-law, renowned local seamstress, Kath Moss. We perused the photographic album that was part of the collection and looked at Kath’s notebooks that held the measurements of women from across the region.
Carol Lavelle, former owner and wearer of the Cairns Post costume, took the dress to the nursing home to show her mother who had made it in 1956. Although her mother’s memory is fading, seeing the dress briefly stirred some recognition, a treasured moment for Carol and her family. For me, this illustrates the power of objects and the important role museums can play in reminiscence programs and community well being.
Babinda contributed a dress worn by Joan Dickson, winner of the inaugural harvest queen competition in 1963. Behind this fairy tale dress, lies the story of a woman who grew up on a cane farm, trained to be a school teacher in Brisbane, made her own clothes and whose knowledge of the sugar industry was critical to her being selected the winner of the competition. Joan was part of a contingent of 14 from Babinda who traveled up to the opening by bus, turning heads when she entered with 2018 Harvest Queen, Demi Bettini.
The contribution from CADCAI, via member, Jenni Campbell, showcased a different era of clothing, and a vastly different style. Jenni’s family had kept a chest of garments belonging to her grandmother who moved to Cairns in 1906. The clothing inside is made from exquisite and ornate textiles, most likely imported from China and sewn here. The fragility of the items caused us to be cautious about which pieces to display. Jenni worked meticulously to craft her story and then attach the fabric to the textile support, a technique that Michael Marendy had demonstrated during the workshop.
The kaftan that Celeste Augur donated to Cairns Museum added a pop of colour and vibrancy to the display. She bought it off the rack from a local retailer and wore it to a Fun in the Sun party during the 1970s. Free flowing and light, it is an example of the changing fashion ‘loosening up’ – rather essential during Cairns’ warmer months!
Cairns designer, Grace Lillian Lee, also loaned a piece for the show, providing a contemporary example of tropical inspired textile ingenuity. Her Great Barrier Reef dress mixed hand printed textiles with metal spikes suggestive of the crown of thorns, and was paired with a woven coral hat that drew on traditional Torres Strait weaving techniques. Grace’s work is now recognised nationally, and she is now working on projects that seek to create opportunities to develop indigenous voices in the textile and fashion industries.
Last week, Jo Wills and Melanie Piddocke traveled to Townsville to assist groups affected by the recent severe flooding. Although most collections have emerged unscathed from days of torrential rain, the Family History Association of North Queensland and the Townsville RSL were both inundated, sustaining damage to their collections, assets and infrastructure.
Our first port of call was the RSL premises. Ewen McPhee met us on site with RSL Library Officer, Brenda Connolly, and we made our way through the damp, unlit ground floor to assess the damage. The collection is housed in three main locations but a collection storage room was particularly compromised – the door was so swollen that we had to get workmen to remove it from its hinges.
The salvage process involved removing all items and sorting them by type, condition and treatment required. We set up a bagging station for items that required freezing, a washing station for items that needed mud and debris washed from them, an area for drying textiles and leather, and an area for assessing all of the framed images that were damaged. We tried to focus on significant materials, particularly some of the First and Second World War items, and welcomed hands on advice from a Queensland Museum conservator for fragile items.
While Melanie, Ewen and Brenda continued to work on the RSL, Jo visited the Family History Association of North Queensland at their Hermit Park premises. Volunteers had been working on the mammoth task of cleaning since the previous weekend. They had been working with Annette Burns and Katie Pittock from Townsville City Libraries, who had been liaising with Jo and with Lydia Egunnike via phone for advice on how to manage items. After checking with MTQ staff, we managed to identify space in the MTQ freezer, which was a great relief to the organisation. In addition to the damage to the collection, the group also sustained damage to computers and equipment and had to start working through the process of insurance claims.
Jo also headed to Townsville CityLibraries local history collection where roof leaks from the unprecedented downpour, the excessively damp conditions and fluctuating climate had caused an outbreak of mould. Staff were involved in packing the collection items and finding temporary storage so that the space can be repaired.
Another MDO trip to Townsville will be organised later this year to work through the process of taking items out of the freezer with all groups. Material can stay in the freezers indefinitely so the trip can be made when volunteers and staff have had a chance to recover from the stressful salvage phase and get their own lives back to normal.
Preparing a response is always a hectic time for the MDOs, and a stressful time for the communities involved. This time it was rather hot as well! But it is always worth it. There is also a lot of behind the scenes work by staff and we are appreciative of Lydia Egunnike for her media performances, to Andrea Hughes for arranging them, and for the Queensland Museum conservator for working on site with us to support the RSL and find space in MTQ’s freezer.
Mulgrave Settlers Museum, which is part of the Mulgrave Shire Historical Society, has been awarded the 2018 Gallery and Museum Achievement Awards (GAMAA) in the category of Engagement for Volunteer-run Organisations for its program “Visiting the Ancestors”. As MDO in Far North Queensland, it’s great to see this group recognised for all their hard work. Read on to find out about the three parts that made up this project:
Volunteers photographed all graves in the Gordonvale Cemetery and added basic information to “Find a Grave”. When searching for information the group realised many of the residents had interesting stories that formed the history of Gordonvale.
‘Streets Ahead’ newspaper column in the Pyramid Views
Many of Gordonvale’s streets had been named after early settlers and those now buried in the Gordonvale Cemetery. Locally produced magazine, Pyramid Views, approached the Mulgrave Shire Historical Society to write a regular column capturing this history of the family or person the street was named after. Each month one of the volunteers organised for the family members of several generations to be photographed at the street sign.
Since its inception, the project has grown. The paper now dedicated a whole page to the section due to the response from families wanting to share their heritages and the response from readers. Information is also available via their Facebook page.
Public programs: Ghosts of Gordonvale Cemetery & Ghosts of Babinda Cemetery
Inspired by similar cemetery tours developed both other organisations, volunteers at the Mulgrave Settlers Museum decided to conduct a similar program. They identified 12 individuals from the cemetery, researched their history using a range of local, reference and online resources.
Volunteers then approached Gordonvale State High School to see if any students were interested in portraying the chosen individuals. Students memorised the scripts and then, on the day of the performance, dressed in period costumes whilst standing next to the gave of their character.
Success at Gordonvale inspired a similar program in Babinda – the other cemetery in the original Mulgrave Shire. This time, 10 identified were chosen and students from Babinda State School and St Rita’s Catholic School participated in the project.
The Society also produced an associated booklet of for each cemetery that included the script, a photo of the student and an image of the person. Background information about the township and surrounding geography was also included.
For the last few months I’ve been working on a number of projects that represent the regions diverse geography, history and communities. Rather than present a series of finished stories, this time I thought I’d showcase work that is underway. For each of the projects, the groups or organisations are undertaking something they’ve not attempted previously. None of them would be possible without the energy and enthusiasm of the various volunteers and community advocates – it’s the lifeblood of our industry.
A museum for Babinda
When Babinda Mill closed down in 2011, many people thought this small town would struggle to survive. They were sorely mistaken. In August last year, I was approached to provide Babinda Taskforce with advice about how to set up a museum. Motivated by the redeveloped Cairns Museum, and a desire to stimulate tourism and preserve history, this group aimed to set up displays in one of the shops on the town’s main street. But we had to start from scratch.
After running some introductory training, I then developed a strategic plan to get the project underway. Meanwhile, the Taskforce sought support from interested locals and created a museum subcommittee which began identifying objects and stories they wished to include. Funding was received funding through local council to develop curatorial and design concepts. We began an Indigenous liaison process to make sure cultural issues are respected and considered during the projects development. And, we have recently secured some of Queensland Museum’s recycled showcases to help realize the project. (Now all we have to do is get them up here!)
As the curatorial and design work has been developing, the Taskforce has been applying for grants and funding to support the building and fit out work. Local builders have been approached to be involved in renovating the space. While it’s been busy, the energy and enthusiasm of those involved in this project is inspiring. All of this is mixed in with a lot of good humour and local ingenuity – essential ingredients for a project like this!
Queensland Rail Movable Cultural Heritage & Normanton Railway Station Museum
Located on the edge of Normanton in the north west gulf country, the heritage listed Normanton Railway Station has a long and somewhat unusual history. Now one of the jewels in the town’s tourism crown, most visitors enjoy the small railway museum located at the station before boarding the historic Gulflander and heading out to Critters Camp or going onto Croydon.
The museum collection is eclectic – it reflects the region’s pastoral and social history as well as the story of rail. Station’s Officer in Charge, Ken Fairbairn, has been keen to get assistance with the museum’s collection management for a number of years. Now, through the assistance of Queensland Rail, the MDO program is about to start a project that aims to provide cataloging and policy advice for Queensland Rails movable heritage collections, and that involves practical work and training at Normanton Railway Station Museum.
Developing a keeping place for Napranum
In September I traveled up to Napranum, Mapoon and Weipa with historian Geoff Wharton to get an insight into the cultural heritage of the Western Cape. The main purpose of our trip was to begin discussions about developing a keeping place at Napranum in conjunction with the Shire Council. Geoff, who has a long association with Weipa and Napranum, a thorough knowledge of the region’s culture and connections with relevant community representatives, was the perfect person with whom to travel to there for the first time.
Since my visit, Napranum Shire Council staff have visited a couple of different museums in the Cairns CBD with me to give them an understanding of the different types of infrastructure and displays that can be set up. We have also undertaken research into funding opportunities, and are investigating ways to integrate relevant training in community.
Whilst in Weipa, Geoff also took me to the Cape York Collection, held at the Hibberd Library where he works as honorary curator. What a treat! And, what an amazing collection of cultural, technical and scientific material that provides an insight into the region’s diversity and history.
“Dressed to Impress” – a collaborative exhibition for Cairns Museum
As noted in my previous post, Michael Marendy’s textile training in June inspired everyone and got us focused on fashion. Apart from groups having a better understanding of how to manage, store and display textiles , one of the outcomes from his visit will be a small textile display, due to go on display early 2019. Representatives of Cairns Museum, Cairns and District Chinese Association, Mulgrave Settlers Museum and Babinda Museum have come together to start discussing which items they want to include, undertake some research and create an interpretation approach.
Since opening in 2017, Cairns Museum has been working tirelessly to produce a suite of exhibitions for their temporary gallery. This textile display, with a working title of “Dressed to Impress”, will be the first time the small museums of the Cairns region come together to produce a group show. Cairns Museum Manager, Suzanne Gibson, and I are also seeking to include works of some contemporary local designers including Grace Lillian Lee and Vivienne Francine to ensure there is some contrast between old and new. Stay tuned for more details.
MDO life in FNQ has again been busy over the last three months. I’ve travelled what feels like 1000s of kilometres and been privileged to see north Queensland’s diverse landscapes and intriguing cultural history. Great, too, has been the opportunity to work closely for the first time with communities in Burketown, Babinda and Millaa Millaa, and reconnect with colleagues and friends in Cairns’ museums and Torres Strait. Here are just a few details of projects I have been lucky enough to work on recently:
The Wild Irish Girl Display, Cooktown History Centre
I’ve always been impressed at the self sufficiency of the volunteers at the Cooktown History Centre. So when they asked me to help out with cataloguing training for the John Hay/Sam Elliot collection, which was donated to them just before John died, I was only too pleased to assist. As we worked our way through we discovered a fabulous collection of material from the Palmer River Goldfields. Handmade tools, Chinese pots, gold scales and opium pipes… these are just a few of the items that tell the story of the Wild Irish Girl Mine, a unique place in FNQ’s mining and social history. Follow this Wild Irish Girl Mine link for more information.
We also discussed displaying the material in the available space and how the group might set up the new area. Six months later, I received pictures of the new display. After purchasing some new cases and developing panels using their in-house style, the group have produced a fabulous display that mirrors and succeeds their intentions. Congratulations to a very dedicated group of people.
Burketown Visitor Centre CHG project
At the end of May, Ewen McPhee and I drove out to Burketown on the Albert River in far northwest Queensland to help out the local Shire Council and the Carpentaria Land Council with their collection as part of a CHG grant. Designed to help understand the collection and make it more accessible, the grant enabled us to spend a week with the group and help redevelop their displays and get them ready for opening. Along the way we got to spend time getting to know the community in more depth, learn about the Aboriginal and settler history, and become acquainted with the cultural artefacts and paintings that make up their collection. We made sure to enjoy the surrounding landscape and evening skies as well.
Cairns’ Museums Textile Training with Dr Michael Marendy
Museum volunteers in Cairns attended a week long textile preservation workshop in June, thanks to funding from Cairns Regional Council. Run with great care and passion by Dr Michael Marendy, participants were treated to his wealth of knowledge, attention to detail and ready humour as he ran applied training sessions. I was amazed at the sewing skills out there among the community, and painfully aware of my own needlework limitations! But Michael’s enthusiasm is infectious and, by the end of the week, I could see how beneficial site visits Mulgrave Settler Museum and CADCAI had been, and how inspiring it is to have access to a material specialist. Michael also delivered a delightful public lecture, leaving guests crying out for more stories from his experiences with textile treasures. The groups in Cairns are now working towards developing a small textile exhibition in Cairns Museum’s temporary gallery.
Gab Titui Cultural Centre: Butal Inu Ngapa Boey and the 2018 Art Awards
Ewen and I travelled up to Thursday Island in July to help the team at Gab Titui install two new exhibitions. The 2018 art awards were opened on Thursday 26 of July and we were honoured to work with a vast array of wonderful pieces. The new cultural exhibition, Butal Inu Ngapa Boey translates as ‘our luggers’ and examines the familial connections to the Torres Strait’s pearling history. Ewen has been advising on this project for the past year. Important to this project was the video recordings with different island representatives. The display also included commissioned artworks that celebrated the region’s pearling traditions and history. As usual, an exhibition opening at Gab Titui is accompanied by extraordinary dancing, this time from the Badu Island Dancers who performed lugger dances.
The Kjellberg Story: Millaa Millaa Museum’s first temporary exhibition
Last, but by no means least, Eacham Historical Society’s Millaa Millaa Museum developed and opened a new temporary exhibition to commemorate 100 years of noted Swedish migrant Ernst Kjellberg’s arrival in the district. Initially, Kjellberg worked closely with Mamu men to clear their land, and run a dairy farm. Then, between 1930 and the 1945 he and his family ran a health clinic on their property Beachview on the outskirts of Millaa Millaa. As knowledge of his abilities grew, people flocked to his clinic and lived in tents while they received holistic and manipulative therapy.
The production of this exhibition was no mean feat for this group of volunteers who live in this small town on the Atherton Tablelands. At least two of them are over 90 and many have been experiencing health complications. Nonetheless they were keen to participate and were gently guided by new volunteer curator, Stacee Hillyard who did a fantastic job. I was very fortunate to be able to enjoy their support and goodwill as I came in and made changes, and believe the process was as important as the outcome. Community enthusiasm for this story was strong, and became increasingly evident as we worked toward the opening. We had people offering to lend small collections of material. Volunteers partially reassembled the electric light bath for the display – perhaps one of the most unusual items I’ve come across for a while.
The exhibition was officially opened on July 28th by Councillor Anthony Ball. For a small town, it was a big event. Am amazing morning tea was provided by the CWA, and more than 50 people took part in what was the museums first temporary exhibition. Among the guests I even happened to meet a man who had worked with the light bath we had on display! Congratulations to the Millaa Millaa Museum group for their hard work and enthusiasm.
We might only be in March, but 2018 has already been busy up here in the Far North. Apart from attending a new exhibition opening in the temporary gallery at Cairns Museum, helping groups submit grant applications and planning for textile conservation workshops, here’s a quick overview of some of the FNQ MDO museum work since January:
Loudoun House Museum, Irvinebank
I visited Loudoun House Museum in Irvinebank in January and was overwhelmed by the work and changes instigated by the volunteers at the museum. They have done a fantastic job at implementing and adapting recommendations I made in an interpretation plan. The museum now has a dedicated John Moffat display in the original office and refreshed and exhibition spaces.
Plus, the group also found time to pull out some railway artefacts for the railway display in the Old Post Office Gallery in Atherton. Special mention, and farewell, to Ellen Barnes.
Railway Ready – War Ready and the Railways 1914-1918 travelling exhibition, Atherton
At the end of 2017, I started working with groups from the Atherton Tablelands to create a local component for the QM Railways 1914-1918 travelling exhibition. Apart from curating the project, I also stretched my graphic design skills to create text panels to accompany the photographs and objects.
Big thanks to Eacham Historical Society, Herberton Mining Museum, Loudoun House Museum, Mareeba Heritage Centre, Ravenshoe Visitor Information Centre and Queensland Railways for helping with image, information and objects. The exhibition opened in February and has since moved onto Douglas Shire Council offices in Mossman.
Collection gold: Croydon Miner 1887
At the end of last year, a Cairns resident requested help finding a suitable repository for an early newspaper from the goldfields which he thought might be important. After some research we discovered just how special it was – a first edition copy of the Croydon Miner 1887 printed on silk. No other institution has a copy of this newspaper, so it’s quite a treasure and its research value and historical importance is exceptional. A quick glance at the advertisements and articles reveal a window into 1880s Croydon and its goldfields during its heyday.
As the item is fragile and needs conservation, I wanted to find a place with the capacity and resources to ensure its longevity. I also needed to heed the donor’s wish that the item be kept in north Queensland, so I approached James Cook University’s Special Collection Librarian, Bronwyn McBurnie. Needless to say, Bronwyn was delighted to work with the donor and the newspaper has now been acquired into JCU’s collection. It will be preserved in memory of the donor’s late son. We hope to work with Croydon Shire Council to recreate a copy of the item that can go on display in Croydon’s heritage buildings later in the year.
75th anniversary of the Torres Strait Islander Light Infantry Battalion exhibition
Finally, I’ve just come back from Thursday Island where, with Ewen McPhee and the team at Gab Titui, we installed two exhibitions to mark the 75th anniversary of the Torres Strait Islander Light Infantry Battalion. One was a travelling photographic exhibition called Indigenous Australians at War by the Shrine of Remembrance in Victoria. It includes remarkable and candid images and stories that are an important part of our military history.
The other exhibition was curated by Gab Titui’s Exhibitions and Public Programmes Manager, Leitha Assan, with help from Vanessa Seekee OAM, curator at the Torres Strait Heritage Museum on Horn Island. Stories from the Torres Strait Light Infantry Battalion, the only Indigenous battalion in the Australian Army, remind us that at the time of their enlistment, these men did not receive equal pay, were not able to vote, nor were they recognised as Australian citizens. Despite this, 873 men enlisted – 36 were killed or died on active service.
As MDOs we have been liaising with Leitha over the last few months regarding the preparation of exhibition content and materials and then travelled up to help them install and prepare the spaces. This continues the strong link between the MDO program and Gab Titui. We were privileged to attend the opening, which featured traditional dancing – the Aeroplane Dancers and Charlie Company Sarpeye Dancers – and attend the dawn service, the anniversary march along the main street and listen to the speeches.