To be honest I thought I was ‘done’ with First World War projects. But when I was asked to speak about the Anzac Treasures Program at the Heritage Leaders Workshop at State Library Queensland I felt it was recognition for the communities involved and the variety of other projects that happened along the way.
With only ten minutes to talk, there was no time to be expansive. So I chose to focus on the benefits of collaboration and the types of outcomes that emerged or which were connected to the project in some way:
- collection items that were uncovered or discovered
- projects that groups undertook either simultaneously or afterwards
- follow up Anzac Trails projects by Cairns, Tablelands and Mareeba Shire Councils that utilised the graphic identity we created for the exhibition
- the delivery of the Railways 1914-1918 temporary travelling and production of the Railway Ready: War Ready exhibition that went on display in the Atherton Post Office Gallery a few years later.
It is always good to speak, but sometimes it is even better to listen. And in doing so, I found that I wasn’t quite ‘done’ with the topic after all. I heard representatives from Cherbourg discuss their app and how students are using it, the story of researching nurses in Central Queensland and the importance of remembering and honoring Indigenous soldiers who fought in the war.
I was fascinated, too, to hear about some of the work undertaken internationally. The key note presentation by Jennifer Waldman, Director at the 14-18 Now program in the UK, highlighted innovation, creativity and participation. This program was driven by artist interpretation, clever marketing and, most critically, a very strong sense of identity and audience definition. While the scale of this sort of project is much bigger than some of the things we do in FNQ, there are still some critical take home messages. Planning for, understanding and identifying audiences is such an important part of what we do when we create programs. A great refresher for us all, I think, as we go about our work in the industry after this commemorative odyssey.
Below are some links to a couple of the 14-18 Now projects – I recommend you have a quick look as they were thought provoking and bold. Behind the works there is of course was a plethora of research and details that come from organisations like many of our museums and collecting groups who continue to preserve these stories: